Day 9 - Tuesday 28th September 2010
We are up early despite another late night of minimal sleep. I feel awful this morning, cold sweats throughout the night and coughing. I ache all over and the last thing I want to do is get out of bed. Today are due to do a days shooting at our pub location, I am glad we don’t have to go to the forest today and that most of the day we will be warm and dry, this is just enough motivation to get me out of bed.
Once again the good ol van gets loaded again. The pub location is about a 30 minute drive from where we are, but is worth the journey. When scouting for this location, I must have seen about 50 pubs, none of them right for the film. This was a really important location to get right and the second I saw it, I knew it had to be in the film.
I’m in the rickety red car with Portia, we make a quick stop to get sweetener, I need to replenish the fake drug bags. We arrive at the pub and are lucky enough to have a huge function room as our base, which is separate from the pub. The actors arrive soon after and so does Edward Law who is playing our pub landlord character. It’s not long before the cameras are rolling. Unfortunately we can’t use Edward at the moment as the pub is quite busy so we just get the shots from his POV. I have good feeling about today, we have about 12 pages to get through and a lot of dialogue but I’m feeling positive about the scenes and what we have to shoot. We have Thabo & Daniel on camera, Jonathan on sound and Portia as 1st AD. Whenever Portia is 1st AD’s we seem to get well over 10 pages, she has become our page count mascot and lucky charm in this role.
Andy the owner of “The Fountain Inn’ is really accommodating so we quickly get the first scene of the day done with Nigel. The pub has quite a few locals there so we explain what we are doing and that if any of them wish to be in the film they need to sign a release form. Its pure fluke they all agree and not one of them looks out of place, well why would they? They are locals after all.
Thabo and Dan get to work, getting lot’s of nice shots of Nigel. It’s supposed to be a slightly comical scene, it was the first scene I wrote for Nigel’s character ‘Gary’ and knew if done a certain way it would work. Nigel reliable as always makes the comedy go far, he totally utilises his surroundings and hits each moment with perfect timing.
We then head outside to get some external shots of the pub and Nigel arriving at the pub in Sam’s car. On the way down Sam’s car got a puncture, I only found this out after we shot the scene of NIgel pulling up in his car. It’s things like this that make you realise Sam has been the one dealing with all the stressful cock ups that had happened each day so we don’t have to worry about them. I would bet that there are many more that I am still not aware of.
We have a big scene to shoot before lunch which involves Nigels character revealing something for the rest of the group that he has in his car boot. It makes sense to shoot this quickly now and that should cover all the outside shots, the weather looks a bit moody so if stays dry for this scene then it doesn’t matter after that because everything else is to be shot inside. We are on quite a busy country road so sound is tricky to get right. It’s a lengthy dialogue scene but all the cast get the scene down quite quickly, we get a few hand held shots and we are done. David & Gemma have already taken everyone’s lunch orders, today as we are having a lunch at the pub, I for one am extremely excited and looking forward to this, I opt for the easy but biggest thing I have been craving all week a simple cheese burger and chips and with a super malt and it goes down so well.
After lunch we jump straight into getting our next big scene which is where Hannah, Matthew, Philip & Louisa meet Nigel at the pub. We get all of Edwards shots done straight away, it’s a really simple job for such a great actor like Edward and I feel bad that he’s travelled far for a short time on set, but I have no regrets with his performance, he brings a lot to the role without over doing it. I know these scenes are going to cut really well in the edit.
With two camera units we seem to be flying though these shots. I still feel like a calm Director and despite being up against a fast schedule everyone appears to be handling everything easily. The rest of the afternoon is spent getting more group dialogue, I play about with some of the dialogue and we also include some improvisation. With everyone nodding that the picture and sound is good once again we move on. I think having done so much filming in the forest and outside all internal shots feel like a luxury. None of today feels like hard work.
The final scene in the pub is a tricky one, it’s where Louisa is in the bathroom upset after Philip’s character makes fun of her. It’s cramped being in the ladies bathroom, so there is only room for Jonathan, Daniel, Louisa, Hannah & Me. This is one of them moments where I know we won’t get loads of takes, I want the Louisa in the scene to be really upset, all actors deal with crying scenes in different ways and today we have been having so much fun I know Louisa isn’t anywhere near upset. We try a few times but Louisa and I know it’s not where it needs to be. She want to go and get tear sticks to help her cry but I don’t allow it, for me personally just because someones eyes are watering that’s not enough to register what’s really happening. I take Louisa to one side privately and shortley after we turn over. This will be one take only on this and as I call action in a few seconds it all comes wrenching out of her. Hannah & Louisa get through the scene and I think we got it. Daniel nods happy with the visuals, Jonathan edges slight concern about the sound in such a confined space. I quickly decide that there isn’t much we can do about that and that hopefully the performance will be what counts with this scene.
I go see Louisa and she’s still really upset. The thing with actors who really connect and commit is that if they actually go through these emotions for real, it’s not easy to just suddenly switch off. This is testament to how great Louisa is as an actress and that with the right sort of guidance she can go anywhere in a scene. I take her to one side and I unravel my notes from her head. It’s important as a Director to help get actors both in and out of a state, in a few moments we are both laughing and joking, she’s still a bit shaken but I know she’s proud of what she did, we didn’t result to any trick or tear sticks, when you see that scene she is genuinly upset and it reads just so.
After a long but fun day, we all treat ourselves to a couple of drinks in the pub (we couldn’t go all that way and not have abeer!). We take lot’s of pictures and relax for a while. It’s so nice to all sit around chatting with no shots lingering around the corner.
We head back and are at the accommodation before it even gets dark.I think the few drinks we had got most peoples taste buds going, I know I had quite a few beers that evening. We data wrangle all the days footage and have a snack. It’s quite late before we get to bed and tomorrows schedule is really busy again. By this point of the shoot my voice is on tipping point one minute it’s fin and the next it feels like it’s going. I am feeling extremely tired too and know that having an off day could put the film in jeopardy. On top of a few beers I dose up on cough medicine and slap on some Vics I don’t want another sleepless night. My suitcase is now unpacked because I seem to have run out of clothes. I’m not sure if this counts? I guess I need to do some washing tomorrow.